"Fashions fade, style is
eternal". Decades have passed since designer Yves Saint Laurent turned
this phrase into a luxury mantra, and although elegance goes beyond the clothes
that dress us, the tuxedo is without a doubt the graphic and immutable
manifestation of this proclamation. The iconic tuxedo is one of the few pieces
of clothing that have remained unchanged over time.
Since his birth in the 19th
century, after the Prince of Wales, Edward VII, asked his tailors to design him
an elegant suit for his large private dinners (hence its name in English,
dinner jacket). Through his arrival in United States thanks to James Potter,
who, advised by Edward VII, wore it at the Tuxedo Park Club, an event from
which the tuxedo received its name in America, to this day. Reserved for the
most important events of high society, the tuxedo is above fashion. If you look
at archival images from one of the first editions of the Oscars and compare
them with some recent ones, you will see that the tuxedo is exactly the same.
It is a timeless piece that goes beyond trends.
Marlene Dietrich stripped the
tuxedo of its gender by wearing it in the film Morocco (1932) and, after
setting a precedent, it was the aforementioned Yves Saint Laurent who brought
it to the women's dressing room in his 1966 collection. Whether for him or her,
the classic tuxedo is a piece of clothing that elevates the person who wears
it. Brad Pitt, Adam Driver or Jon Kortajarena are just some of the current
celebrities who know how to wear it best on the red carpet. However, younger
faces like Harry Styles or Timothe Chalamet wear it with style and dare to
transform it, adapted to the so-called new masculinity. The British singer gave
a feminine touch to the traditional tuxedo at the 2022 edition of the Brit
Awards by giving it volume with flared trousers, a rigid jacket and a large
silk rosette at the neck. Chalamet, for his part, in Venice opted for a modern
version in an elegant pearl grey, and the actor Alejandro Speitzer captured all
eyes on the same red carpet by wearing a personalised pink design by Hugo Boss.
However, in the case of the
tuxedo, the classic and traditional are a guaranteed success and only men who
know how to wear it have allowed themselves small licenses, such as combining
it with a black shirt or a tie instead of a bow tie. But what should be clear
is that the more relaxed dress codes we experience today with prêt-à-porter don’t
affect the tuxedo as it is such an exceptional piece that it has remained as it
was created.
I am wearing a slightly
oversized tuxedo-looking blazer in mauve colour. You can’t not love its rounded
lapel in two tones all the way down the garment and the red lining for some
contrast. The sleeves are rolled up for a city-casual look in the same way that
I did with the ivory jumper. An overall loosen and flattering piece tucked in
the matching ivory trousers. I added some colour by wearing red socks and navy
shoes with some details in multi-colour. A one of a kind pair of shoes as the
design of the right shoe and the left one are the same but some colours vary
making them rather unique. The pouch marries smoothly with its yellow print and
the funky sunnies add an unceremonious touch.
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